Released: 16th June 2025. Born in Brussels in 1950 to parents who had survived the Holocaust, Chantal Akerman directed more than 40 films (short, medium and feature-length) over almost 50 years, spanning fiction, documentary, musical comedy and literary adaptation. Today, she is regarded as one of the most important and influential directors of her generation. Akerman’s personal, non-conformist body of work has resonated with cinephiles globally and become increasingly relevant since her death in 2015, with filmmakers including Joanna Hogg (The Eternal Daughter), Céline Sciamma (Petite Maman), Alice Diop (Saint Omer) and Jacques Audiard (Emilia Pérez), among others, citing her radical and experimental approach to cinema as a direct inspiration.
Although best known for her landmark second narrative feature, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975), which topped the Sight and Sound Greatest Films of All Time Poll in 2022 (becoming the first female-directed film to take the number one spot since the poll’s inception in 1952), Akerman never stopped rebelling, continuously experimenting throughout her career to challenge the formal and narrative boundaries of film.
The Films
Toute Une Nuit(1982), Les Années 80(1983), Golden Eighties (1986), La Paresse (1986), Histoires d'Amérique: Food, Family and Philosophy (1988), D'Est(1993), Sud (1999), La Captive (2000), De l'Autre Côté(2002), Là-Bas (2006), La Folie Almayer(2011), No Home Movie(2015)
Extras
Five Blu-ray set featuring 12 landmark films by Chantal Akerman
Hôtel des Acacias (Yves Hanchar, Pierre Charles Rochette, François Vanderveken, Isabelle Willems, 1982): the outcome of an INSAS workshop led by Chantal Akerman
Audio commentary on Histoires d’Amérique: Food, Family and Philosophy by Marc David Jacobs
No Home But Cinema: The Spaces of Chantal Akerman (2025): video essay by writer and critic Jessica McGoff
Le Rendez-vous de Chantal Akerman (2025): panel discussion with Sonia Wieder-Atherton (cellist and composer), Adam Roberts (co-founder of A Nos Amours collective), Céline Brouwez (Fondation Chantal Akerman), Lynda Myles (former director of Edinburgh International Film Festival) and Isabel Stevens (Sight and Sound)
Marilyn Watelet Q&A (2025): Akerman’s lifelong friend and producer looks back over her life and career
Sonia Wieder-Atherton Q&A (2025): the cellist and composer discusses Golden Eighties
Proust and Signs (2025): video essay on La Captive by writer and critic Cristina Álvarez López
Autour de la Folie Almayer (2022): ‘making of’ documentary, shot by Sopheak Sao in 2010 and edited by Marwan Montel in 2021
Everyone Has Their Own Life (2025): video essay on No Home Movie by artist Sarah Wood
72-page perfect bound book featuring new essays by Erin Nunoda, Daniella Shreir, Rachel Pronger, Ivone Margulies, Elena Gorfinkel, Blair McClendon, Catherine Wheatley, Iván Ramos, Adam Roberts, Marion Schmid, Alisa Lebow and Cristina Álvarez López
Limited edition of 2,000 copies